Jean-Francois De Troy
French
1679-1752
Jean-Francois
De Troy Gallery
Jean François de Troy was born on January 27, 1679 in Paris. The successful career of Jean François de Troy was based initially on large historical and allegorical compositions, such as Time Unveiling Truth (1733) in the National Gallery, London, but he is now most highly regarded for his smaller and more spirited scenes of elegant social life. They are among the best of those that rode on the wave of Watteau's success??indeed The Alarm, or the Gouvernante Fid??le (Victoria and Albert Museum, London, 1723) was attributed to Watteau in the 19th century. A versatile artist, he made tableaux de modes famous, painting histories and mythologies in a colourful and fluent manner which owed something to both Veronese and Peter Paul Rubens.
He undertook commissions for Versailles and Fontainebleau between 1724 and 1737, and designed two sets of tapestries for the Gobelins, each of seven subjects, the Histoire d'Esther (1737-40) and the Histoire de Jason (1743-6).
In 1738 he was appointed Director of the French Academy in Rome, and spent the rest of his life there. De Troy's wife died prematurely, and he lost of all his seven children. Jean François de Troy died on January 26, 1752 in Rome. Related Paintings of Jean-Francois De Troy :. | The Oyster Lunch (nn03) | Apollo and Daphne | The Artist s Wife,jeanne | Self-Portrait | Diana And Her Nymphs Bathing | Related Artists: Giovanni del BiondoItalian Gothic Era Painter, active 1356-1399,was a 14th century Italian painter of the Gothic and early-Renaissance period, active 1356-1399. Johann Gottfried AuerbachJohann Gottfried Auerbach (October 28, 1697 -August 5, 1753), was an Austrian painter and etcher.
Auerbach painted primarily portraits and battle genre works. Some of his works can be found at the Kunsthistorisches Museum. VELAZQUEZ, Diego Rodriguez de Silva ySpanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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